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853 lines
21 KiB
853 lines
21 KiB
\input texinfo @c -*- texinfo -*- |
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@settitle FFmpeg Documentation |
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@titlepage |
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@sp 7 |
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@center @titlefont{FFmpeg Documentation} |
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@sp 3 |
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@end titlepage |
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@chapter Introduction |
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FFmpeg is a very fast video and audio converter. It can also grab from |
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a live audio/video source. |
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The command line interface is designed to be intuitive, in the sense |
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that FFmpeg tries to figure out all parameters that can possibly be |
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derived automatically. You usually only have to specify the target |
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bitrate you want. |
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FFmpeg can also convert from any sample rate to any other, and resize |
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video on the fly with a high quality polyphase filter. |
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@chapter Quick Start |
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@c man begin EXAMPLES |
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@section Video and Audio grabbing |
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FFmpeg can grab video and audio from devices given that you specify the input |
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format and device. |
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@example |
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ffmpeg -f audio_device -i /dev/dsp -f video4linux2 -i /dev/video0 /tmp/out.mpg |
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@end example |
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Note that you must activate the right video source and channel before |
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launching FFmpeg with any TV viewer such as xawtv |
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(@url{http://bytesex.org/xawtv/}) by Gerd Knorr. You also |
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have to set the audio recording levels correctly with a |
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standard mixer. |
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@section X11 grabbing |
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FFmpeg can grab the X11 display. |
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@example |
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ffmpeg -f x11grab -s cif -i :0.0 /tmp/out.mpg |
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@end example |
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0.0 is display.screen number of your X11 server, same as |
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the DISPLAY environment variable. |
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@example |
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ffmpeg -f x11grab -s cif -i :0.0+10,20 /tmp/out.mpg |
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@end example |
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0.0 is display.screen number of your X11 server, same as the DISPLAY environment |
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variable. 10 is the x-offset and 20 the y-offset for the grabbing. |
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@section Video and Audio file format conversion |
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* FFmpeg can use any supported file format and protocol as input: |
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Examples: |
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* You can use YUV files as input: |
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@example |
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ffmpeg -i /tmp/test%d.Y /tmp/out.mpg |
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@end example |
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It will use the files: |
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@example |
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/tmp/test0.Y, /tmp/test0.U, /tmp/test0.V, |
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/tmp/test1.Y, /tmp/test1.U, /tmp/test1.V, etc... |
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@end example |
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The Y files use twice the resolution of the U and V files. They are |
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raw files, without header. They can be generated by all decent video |
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decoders. You must specify the size of the image with the @option{-s} option |
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if FFmpeg cannot guess it. |
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* You can input from a raw YUV420P file: |
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@example |
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ffmpeg -i /tmp/test.yuv /tmp/out.avi |
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@end example |
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test.yuv is a file containing raw YUV planar data. Each frame is composed |
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of the Y plane followed by the U and V planes at half vertical and |
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horizontal resolution. |
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* You can output to a raw YUV420P file: |
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@example |
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ffmpeg -i mydivx.avi hugefile.yuv |
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@end example |
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* You can set several input files and output files: |
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@example |
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ffmpeg -i /tmp/a.wav -s 640x480 -i /tmp/a.yuv /tmp/a.mpg |
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@end example |
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Converts the audio file a.wav and the raw YUV video file a.yuv |
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to MPEG file a.mpg. |
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* You can also do audio and video conversions at the same time: |
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@example |
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ffmpeg -i /tmp/a.wav -ar 22050 /tmp/a.mp2 |
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@end example |
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Converts a.wav to MPEG audio at 22050Hz sample rate. |
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* You can encode to several formats at the same time and define a |
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mapping from input stream to output streams: |
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@example |
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ffmpeg -i /tmp/a.wav -ab 64k /tmp/a.mp2 -ab 128k /tmp/b.mp2 -map 0:0 -map 0:0 |
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@end example |
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Converts a.wav to a.mp2 at 64 kbits and to b.mp2 at 128 kbits. '-map |
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file:index' specifies which input stream is used for each output |
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stream, in the order of the definition of output streams. |
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* You can transcode decrypted VOBs |
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@example |
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ffmpeg -i snatch_1.vob -f avi -vcodec mpeg4 -b 800k -g 300 -bf 2 -acodec libmp3lame -ab 128k snatch.avi |
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@end example |
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This is a typical DVD ripping example; the input is a VOB file, the |
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output an AVI file with MPEG-4 video and MP3 audio. Note that in this |
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command we use B-frames so the MPEG-4 stream is DivX5 compatible, and |
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GOP size is 300 which means one intra frame every 10 seconds for 29.97fps |
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input video. Furthermore, the audio stream is MP3-encoded so you need |
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to enable LAME support by passing @code{--enable-libmp3lame} to configure. |
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The mapping is particularly useful for DVD transcoding |
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to get the desired audio language. |
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NOTE: To see the supported input formats, use @code{ffmpeg -formats}. |
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@c man end |
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@chapter Invocation |
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@section Syntax |
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The generic syntax is: |
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@example |
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@c man begin SYNOPSIS |
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ffmpeg [[infile options][@option{-i} @var{infile}]]... @{[outfile options] @var{outfile}@}... |
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@c man end |
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@end example |
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@c man begin DESCRIPTION |
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As a general rule, options are applied to the next specified |
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file. Therefore, order is important, and you can have the same |
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option on the command line multiple times. Each occurrence is |
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then applied to the next input or output file. |
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* To set the video bitrate of the output file to 64kbit/s: |
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@example |
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ffmpeg -i input.avi -b 64k output.avi |
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@end example |
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* To force the frame rate of the input and output file to 24 fps: |
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@example |
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ffmpeg -r 24 -i input.avi output.avi |
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@end example |
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* To force the frame rate of the output file to 24 fps: |
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@example |
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ffmpeg -i input.avi -r 24 output.avi |
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@end example |
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* To force the frame rate of input file to 1 fps and the output file to 24 fps: |
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@example |
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ffmpeg -r 1 -i input.avi -r 24 output.avi |
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@end example |
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The format option may be needed for raw input files. |
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By default, FFmpeg tries to convert as losslessly as possible: It |
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uses the same audio and video parameters for the outputs as the one |
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specified for the inputs. |
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@c man end |
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@c man begin OPTIONS |
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@section Main options |
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@table @option |
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@item -L |
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Show license. |
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@item -h |
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Show help. |
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@item -version |
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Show version. |
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@item -formats |
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Show available formats, codecs, protocols, ... |
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@item -f fmt |
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Force format. |
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@item -i filename |
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input filename |
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@item -y |
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Overwrite output files. |
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@item -t duration |
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Restrict the transcoded/captured video sequence |
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to the duration specified in seconds. |
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@code{hh:mm:ss[.xxx]} syntax is also supported. |
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@item -fs limit_size |
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Set the file size limit. |
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@item -ss position |
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Seek to given time position in seconds. |
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@code{hh:mm:ss[.xxx]} syntax is also supported. |
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@item -itsoffset offset |
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Set the input time offset in seconds. |
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@code{[-]hh:mm:ss[.xxx]} syntax is also supported. |
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This option affects all the input files that follow it. |
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The offset is added to the timestamps of the input files. |
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Specifying a positive offset means that the corresponding |
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streams are delayed by 'offset' seconds. |
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@item -title string |
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Set the title. |
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@item -timestamp time |
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Set the timestamp. |
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@item -author string |
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Set the author. |
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@item -copyright string |
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Set the copyright. |
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@item -comment string |
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Set the comment. |
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@item -album string |
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Set the album. |
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@item -track number |
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Set the track. |
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@item -year number |
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Set the year. |
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@item -v verbose |
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Control amount of logging. |
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@item -target type |
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Specify target file type ("vcd", "svcd", "dvd", "dv", "dv50", "pal-vcd", |
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"ntsc-svcd", ... ). All the format options (bitrate, codecs, |
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buffer sizes) are then set automatically. You can just type: |
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@example |
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ffmpeg -i myfile.avi -target vcd /tmp/vcd.mpg |
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@end example |
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Nevertheless you can specify additional options as long as you know |
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they do not conflict with the standard, as in: |
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@example |
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ffmpeg -i myfile.avi -target vcd -bf 2 /tmp/vcd.mpg |
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@end example |
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@item -dframes number |
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Set the number of data frames to record. |
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@item -scodec codec |
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Force subtitle codec ('copy' to copy stream). |
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@item -newsubtitle |
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Add a new subtitle stream to the current output stream. |
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@item -slang code |
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Set the ISO 639 language code (3 letters) of the current subtitle stream. |
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@end table |
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@section Video Options |
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@table @option |
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@item -b bitrate |
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Set the video bitrate in bit/s (default = 200 kb/s). |
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@item -vframes number |
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Set the number of video frames to record. |
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@item -r fps |
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Set frame rate (Hz value, fraction or abbreviation), (default = 25). |
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@item -s size |
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Set frame size. The format is @samp{wxh} (ffserver default = 160x128, ffmpeg default = same as source). |
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The following abbreviations are recognized: |
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@table @samp |
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@item sqcif |
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128x96 |
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@item qcif |
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176x144 |
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@item cif |
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352x288 |
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@item 4cif |
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704x576 |
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@item qqvga |
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160x120 |
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@item qvga |
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320x240 |
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@item vga |
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640x480 |
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@item svga |
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800x600 |
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@item xga |
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1024x768 |
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@item uxga |
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1600x1200 |
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@item qxga |
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2048x1536 |
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@item sxga |
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1280x1024 |
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@item qsxga |
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2560x2048 |
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@item hsxga |
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5120x4096 |
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@item wvga |
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852x480 |
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@item wxga |
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1366x768 |
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@item wsxga |
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1600x1024 |
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@item wuxga |
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1920x1200 |
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@item woxga |
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2560x1600 |
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@item wqsxga |
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3200x2048 |
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@item wquxga |
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3840x2400 |
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@item whsxga |
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6400x4096 |
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@item whuxga |
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7680x4800 |
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@item cga |
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320x200 |
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@item ega |
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640x350 |
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@item hd480 |
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852x480 |
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@item hd720 |
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1280x720 |
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@item hd1080 |
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1920x1080 |
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@end table |
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@item -aspect aspect |
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Set aspect ratio (4:3, 16:9 or 1.3333, 1.7777). |
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@item -croptop size |
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Set top crop band size (in pixels). |
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@item -cropbottom size |
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Set bottom crop band size (in pixels). |
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@item -cropleft size |
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Set left crop band size (in pixels). |
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@item -cropright size |
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Set right crop band size (in pixels). |
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@item -padtop size |
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Set top pad band size (in pixels). |
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@item -padbottom size |
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Set bottom pad band size (in pixels). |
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@item -padleft size |
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Set left pad band size (in pixels). |
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@item -padright size |
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Set right pad band size (in pixels). |
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@item -padcolor (hex color) |
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Set color of padded bands. The value for padcolor is expressed |
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as a six digit hexadecimal number where the first two digits |
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represent red, the middle two digits green and last two digits |
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blue (default = 000000 (black)). |
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@item -vn |
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Disable video recording. |
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@item -bt tolerance |
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Set video bitrate tolerance (in bit/s). |
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@item -maxrate bitrate |
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Set max video bitrate (in bit/s). |
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@item -minrate bitrate |
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Set min video bitrate (in bit/s). |
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@item -bufsize size |
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Set video buffer verifier buffer size (in bits). |
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@item -vcodec codec |
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Force video codec to @var{codec}. Use the @code{copy} special value to |
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tell that the raw codec data must be copied as is. |
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@item -sameq |
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Use same video quality as source (implies VBR). |
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@item -pass n |
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Select the pass number (1 or 2). It is useful to do two pass |
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encoding. The statistics of the video are recorded in the first |
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pass and the video is generated at the exact requested bitrate |
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in the second pass. |
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@item -passlogfile file |
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Set two pass logfile name to @var{file}. |
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@item -newvideo |
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Add a new video stream to the current output stream. |
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@end table |
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@section Advanced Video Options |
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@table @option |
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@item -pix_fmt format |
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Set pixel format. Use 'list' as parameter to show all the supported |
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pixel formats. |
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@item -sws_flags flags |
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Set SwScaler flags (only available when compiled with SwScaler support). |
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@item -g gop_size |
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Set the group of pictures size. |
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@item -intra |
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Use only intra frames. |
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@item -vdt n |
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Discard threshold. |
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@item -qscale q |
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Use fixed video quantizer scale (VBR). |
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@item -qmin q |
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minimum video quantizer scale (VBR) |
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@item -qmax q |
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maximum video quantizer scale (VBR) |
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@item -qdiff q |
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maximum difference between the quantizer scales (VBR) |
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@item -qblur blur |
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video quantizer scale blur (VBR) |
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@item -qcomp compression |
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video quantizer scale compression (VBR) |
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@item -lmin lambda |
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minimum video lagrange factor (VBR) |
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@item -lmax lambda |
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max video lagrange factor (VBR) |
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@item -mblmin lambda |
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minimum macroblock quantizer scale (VBR) |
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@item -mblmax lambda |
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maximum macroblock quantizer scale (VBR) |
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These four options (lmin, lmax, mblmin, mblmax) use 'lambda' units, |
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but you may use the QP2LAMBDA constant to easily convert from 'q' units: |
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@example |
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ffmpeg -i src.ext -lmax 21*QP2LAMBDA dst.ext |
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@end example |
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@item -rc_init_cplx complexity |
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initial complexity for single pass encoding |
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@item -b_qfactor factor |
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qp factor between P- and B-frames |
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@item -i_qfactor factor |
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qp factor between P- and I-frames |
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@item -b_qoffset offset |
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qp offset between P- and B-frames |
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@item -i_qoffset offset |
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qp offset between P- and I-frames |
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@item -rc_eq equation |
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Set rate control equation (@pxref{FFmpeg formula |
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evaluator}) (default = @code{tex^qComp}). |
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@item -rc_override override |
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rate control override for specific intervals |
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@item -me_method method |
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Set motion estimation method to @var{method}. |
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Available methods are (from lowest to best quality): |
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@table @samp |
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@item zero |
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Try just the (0, 0) vector. |
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@item phods |
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@item log |
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@item x1 |
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@item hex |
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@item umh |
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@item epzs |
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(default method) |
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@item full |
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exhaustive search (slow and marginally better than epzs) |
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@end table |
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@item -dct_algo algo |
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Set DCT algorithm to @var{algo}. Available values are: |
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@table @samp |
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@item 0 |
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FF_DCT_AUTO (default) |
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@item 1 |
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FF_DCT_FASTINT |
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@item 2 |
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FF_DCT_INT |
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@item 3 |
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FF_DCT_MMX |
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@item 4 |
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FF_DCT_MLIB |
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@item 5 |
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FF_DCT_ALTIVEC |
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@end table |
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@item -idct_algo algo |
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Set IDCT algorithm to @var{algo}. Available values are: |
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@table @samp |
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@item 0 |
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FF_IDCT_AUTO (default) |
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@item 1 |
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FF_IDCT_INT |
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@item 2 |
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FF_IDCT_SIMPLE |
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@item 3 |
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FF_IDCT_SIMPLEMMX |
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@item 4 |
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FF_IDCT_LIBMPEG2MMX |
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@item 5 |
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FF_IDCT_PS2 |
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@item 6 |
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FF_IDCT_MLIB |
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@item 7 |
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FF_IDCT_ARM |
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@item 8 |
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FF_IDCT_ALTIVEC |
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@item 9 |
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FF_IDCT_SH4 |
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@item 10 |
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FF_IDCT_SIMPLEARM |
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@end table |
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@item -er n |
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Set error resilience to @var{n}. |
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@table @samp |
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@item 1 |
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FF_ER_CAREFUL (default) |
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@item 2 |
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FF_ER_COMPLIANT |
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@item 3 |
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FF_ER_AGGRESSIVE |
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@item 4 |
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FF_ER_VERY_AGGRESSIVE |
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@end table |
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@item -ec bit_mask |
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Set error concealment to @var{bit_mask}. @var{bit_mask} is a bit mask of |
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the following values: |
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@table @samp |
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@item 1 |
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FF_EC_GUESS_MVS (default = enabled) |
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@item 2 |
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FF_EC_DEBLOCK (default = enabled) |
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@end table |
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@item -bf frames |
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Use 'frames' B-frames (supported for MPEG-1, MPEG-2 and MPEG-4). |
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@item -mbd mode |
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macroblock decision |
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@table @samp |
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@item 0 |
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FF_MB_DECISION_SIMPLE: Use mb_cmp (cannot change it yet in FFmpeg). |
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@item 1 |
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FF_MB_DECISION_BITS: Choose the one which needs the fewest bits. |
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@item 2 |
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FF_MB_DECISION_RD: rate distortion |
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@end table |
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@item -4mv |
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Use four motion vector by macroblock (MPEG-4 only). |
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@item -part |
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Use data partitioning (MPEG-4 only). |
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@item -bug param |
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Work around encoder bugs that are not auto-detected. |
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@item -strict strictness |
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How strictly to follow the standards. |
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@item -aic |
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Enable Advanced intra coding (h263+). |
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@item -umv |
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Enable Unlimited Motion Vector (h263+) |
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@item -deinterlace |
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Deinterlace pictures. |
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@item -ilme |
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Force interlacing support in encoder (MPEG-2 and MPEG-4 only). |
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Use this option if your input file is interlaced and you want |
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to keep the interlaced format for minimum losses. |
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The alternative is to deinterlace the input stream with |
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@option{-deinterlace}, but deinterlacing introduces losses. |
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@item -psnr |
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Calculate PSNR of compressed frames. |
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@item -vstats |
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Dump video coding statistics to @file{vstats_HHMMSS.log}. |
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@item -vstats_file file |
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Dump video coding statistics to @var{file}. |
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@item -vhook module |
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Insert video processing @var{module}. @var{module} contains the module |
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name and its parameters separated by spaces. |
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@item -top n |
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top=1/bottom=0/auto=-1 field first |
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@item -dc precision |
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Intra_dc_precision. |
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@item -vtag fourcc/tag |
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Force video tag/fourcc. |
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@item -qphist |
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Show QP histogram. |
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@item -vbsf bitstream filter |
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Bitstream filters available are "dump_extra", "remove_extra", "noise". |
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@end table |
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@section Audio Options |
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@table @option |
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@item -aframes number |
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Set the number of audio frames to record. |
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@item -ar freq |
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Set the audio sampling frequency (default = 44100 Hz). |
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@item -ab bitrate |
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Set the audio bitrate in bit/s (default = 64k). |
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@item -ac channels |
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Set the number of audio channels (default = 1). |
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@item -an |
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Disable audio recording. |
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@item -acodec codec |
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Force audio codec to @var{codec}. Use the @code{copy} special value to |
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specify that the raw codec data must be copied as is. |
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@item -newaudio |
|
Add a new audio track to the output file. If you want to specify parameters, |
|
do so before @code{-newaudio} (@code{-acodec}, @code{-ab}, etc..). |
|
|
|
Mapping will be done automatically, if the number of output streams is equal to |
|
the number of input streams, else it will pick the first one that matches. You |
|
can override the mapping using @code{-map} as usual. |
|
|
|
Example: |
|
@example |
|
ffmpeg -i file.mpg -vcodec copy -acodec ac3 -ab 384k test.mpg -acodec mp2 -ab 192k -newaudio |
|
@end example |
|
@item -alang code |
|
Set the ISO 639 language code (3 letters) of the current audio stream. |
|
@end table |
|
|
|
@section Advanced Audio options: |
|
|
|
@table @option |
|
@item -atag fourcc/tag |
|
Force audio tag/fourcc. |
|
@item -absf bitstream filter |
|
Bitstream filters available are "dump_extra", "remove_extra", "noise", "mp3comp", "mp3decomp". |
|
@end table |
|
|
|
@section Subtitle options: |
|
|
|
@table @option |
|
@item -scodec codec |
|
Force subtitle codec ('copy' to copy stream). |
|
@item -newsubtitle |
|
Add a new subtitle stream to the current output stream. |
|
@item -slang code |
|
Set the ISO 639 language code (3 letters) of the current subtitle stream. |
|
@end table |
|
|
|
@section Audio/Video grab options |
|
|
|
@table @option |
|
@item -vc channel |
|
Set video grab channel (DV1394 only). |
|
@item -tvstd standard |
|
Set television standard (NTSC, PAL (SECAM)). |
|
@item -isync |
|
Synchronize read on input. |
|
@end table |
|
|
|
@section Advanced options |
|
|
|
@table @option |
|
@item -map input stream id[:input stream id] |
|
Set stream mapping from input streams to output streams. |
|
Just enumerate the input streams in the order you want them in the output. |
|
[input stream id] sets the (input) stream to sync against. |
|
@item -map_meta_data outfile:infile |
|
Set meta data information of outfile from infile. |
|
@item -debug |
|
Print specific debug info. |
|
@item -benchmark |
|
Add timings for benchmarking. |
|
@item -dump |
|
Dump each input packet. |
|
@item -hex |
|
When dumping packets, also dump the payload. |
|
@item -bitexact |
|
Only use bit exact algorithms (for codec testing). |
|
@item -ps size |
|
Set packet size in bits. |
|
@item -re |
|
Read input at native frame rate. Mainly used to simulate a grab device. |
|
@item -loop_input |
|
Loop over the input stream. Currently it works only for image |
|
streams. This option is used for automatic FFserver testing. |
|
@item -loop_output number_of_times |
|
Repeatedly loop output for formats that support looping such as animated GIF |
|
(0 will loop the output infinitely). |
|
@item -threads count |
|
Thread count. |
|
@item -vsync parameter |
|
Video sync method. Video will be stretched/squeezed to match the timestamps, |
|
it is done by duplicating and dropping frames. With -map you can select from |
|
which stream the timestamps should be taken. You can leave either video or |
|
audio unchanged and sync the remaining stream(s) to the unchanged one. |
|
@item -async samples_per_second |
|
Audio sync method. "Stretches/squeezes" the audio stream to match the timestamps, |
|
the parameter is the maximum samples per second by which the audio is changed. |
|
-async 1 is a special case where only the start of the audio stream is corrected |
|
without any later correction. |
|
@item -copyts |
|
Copy timestamps from input to output. |
|
@item -shortest |
|
Finish encoding when the shortest input stream ends. |
|
@item -dts_delta_threshold |
|
Timestamp discontinuity delta threshold. |
|
@item -muxdelay seconds |
|
Set the maximum demux-decode delay. |
|
@item -muxpreload seconds |
|
Set the initial demux-decode delay. |
|
@end table |
|
|
|
@node FFmpeg formula evaluator |
|
@section FFmpeg formula evaluator |
|
|
|
When evaluating a rate control string, FFmpeg uses an internal formula |
|
evaluator. |
|
|
|
The following binary operators are available: @code{+}, @code{-}, |
|
@code{*}, @code{/}, @code{^}. |
|
|
|
The following unary operators are available: @code{+}, @code{-}, |
|
@code{(...)}. |
|
|
|
The following functions are available: |
|
@table @var |
|
@item sinh(x) |
|
@item cosh(x) |
|
@item tanh(x) |
|
@item sin(x) |
|
@item cos(x) |
|
@item tan(x) |
|
@item exp(x) |
|
@item log(x) |
|
@item squish(x) |
|
@item gauss(x) |
|
@item abs(x) |
|
@item max(x, y) |
|
@item min(x, y) |
|
@item gt(x, y) |
|
@item lt(x, y) |
|
@item eq(x, y) |
|
@item bits2qp(bits) |
|
@item qp2bits(qp) |
|
@end table |
|
|
|
The following constants are available: |
|
@table @var |
|
@item PI |
|
@item E |
|
@item iTex |
|
@item pTex |
|
@item tex |
|
@item mv |
|
@item fCode |
|
@item iCount |
|
@item mcVar |
|
@item var |
|
@item isI |
|
@item isP |
|
@item isB |
|
@item avgQP |
|
@item qComp |
|
@item avgIITex |
|
@item avgPITex |
|
@item avgPPTex |
|
@item avgBPTex |
|
@item avgTex |
|
@end table |
|
|
|
@c man end |
|
|
|
@ignore |
|
|
|
@setfilename ffmpeg |
|
@settitle FFmpeg video converter |
|
|
|
@c man begin SEEALSO |
|
ffserver(1), ffplay(1) and the HTML documentation of @file{ffmpeg}. |
|
@c man end |
|
|
|
@c man begin AUTHOR |
|
Fabrice Bellard |
|
@c man end |
|
|
|
@end ignore |
|
|
|
@section Protocols |
|
|
|
The filename can be @file{-} to read from standard input or to write |
|
to standard output. |
|
|
|
FFmpeg also handles many protocols specified with an URL syntax. |
|
|
|
Use 'ffmpeg -formats' to see a list of the supported protocols. |
|
|
|
The protocol @code{http:} is currently used only to communicate with |
|
FFserver (see the FFserver documentation). When FFmpeg will be a |
|
video player it will also be used for streaming :-) |
|
|
|
@chapter Tips |
|
|
|
@itemize |
|
@item For streaming at very low bitrate application, use a low frame rate |
|
and a small GOP size. This is especially true for RealVideo where |
|
the Linux player does not seem to be very fast, so it can miss |
|
frames. An example is: |
|
|
|
@example |
|
ffmpeg -g 3 -r 3 -t 10 -b 50k -s qcif -f rv10 /tmp/b.rm |
|
@end example |
|
|
|
@item The parameter 'q' which is displayed while encoding is the current |
|
quantizer. The value 1 indicates that a very good quality could |
|
be achieved. The value 31 indicates the worst quality. If q=31 appears |
|
too often, it means that the encoder cannot compress enough to meet |
|
your bitrate. You must either increase the bitrate, decrease the |
|
frame rate or decrease the frame size. |
|
|
|
@item If your computer is not fast enough, you can speed up the |
|
compression at the expense of the compression ratio. You can use |
|
'-me zero' to speed up motion estimation, and '-intra' to disable |
|
motion estimation completely (you have only I-frames, which means it |
|
is about as good as JPEG compression). |
|
|
|
@item To have very low audio bitrates, reduce the sampling frequency |
|
(down to 22050 kHz for MPEG audio, 22050 or 11025 for AC3). |
|
|
|
@item To have a constant quality (but a variable bitrate), use the option |
|
'-qscale n' when 'n' is between 1 (excellent quality) and 31 (worst |
|
quality). |
|
|
|
@item When converting video files, you can use the '-sameq' option which |
|
uses the same quality factor in the encoder as in the decoder. |
|
It allows almost lossless encoding. |
|
|
|
@end itemize |
|
|
|
@bye
|
|
|