Compute individual stream durations in matroska muxer.
Write them as string tags in the same format as mkvmerge tool does.
Signed-off-by: Sasi Inguva <isasi@google.com>
The actual predictor value, set by the trellis code, never
was written back into the variable that was written into
the block header. This was accidentally removed in b304244b.
This significantly improves the audio quality of the trellis
case, which was plain broken since b304244b.
Encoding IMA QT with trellis still actually gives a slightly
worse quality than without trellis, since the trellis encoder
doesn't use the exact same way of rounding as in
adpcm_ima_qt_compress_sample and adpcm_ima_qt_expand_nibble.
Fixes part of Ticket3701
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
adpcm_ima_qt does not produce reproducible results, so it is temporarily
disabled (see #3701).
Signed-off-by: Timothy Gu <timothygu99@gmail.com>
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
Partially undoes commit 2c4e08d89327595f7f4be57dda4b3775e1198d5e:
riff: always generate a proper WAVEFORMATEX structure in
ff_put_wav_header
A new flag, FF_PUT_WAV_HEADER_FORCE_WAVEFORMATEX, is added to force the
use of WAVEFORMATEX rather than PCMWAVEFORMAT even for PCM codecs.
This flag is used in the Matroska muxer (the cause of the original
change) and in the ASF muxer, because the specifications for
these formats indicate explicitly that WAVEFORMATEX should be used.
Muxers for other formats will return to the original behavior of writing
PCMWAVEFORMAT when writing a header for raw PCM.
In particular, this causes raw PCM in WAV to generate the canonical
44-byte header expected by some tools.
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
If 384k is too high for the samplerate, choose the closest
possible
Idea to increase the bitrate from: 46439e1562
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
This makes the USE_FLOATS == 0 available to the end user
More float optimizations can easily be added as well now
common code should be factored out into a common file once all
fixed point & floating point optimizations are done, this is to
avoid having to move code back and forth between files.
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
QuickTime will play multiple audio tracks concurrently if this flag is
set for multiple audio tracks. And if no subtitle track has this flag
set, QuickTime will show no subtitles in the subtitle menu.
Signed-off-by: Anton Khirnov <anton@khirnov.net>
After making some blind tests on a small collection of music
samples for home usage. It turned out that the default cutoff
was too low.
The impact of filter_size was not clearly distinguishable (the
results were on the edge) with the music samples but turned out
to be clearly audible in some synthetic samples.
Thanks to Daniel for helping out with the listening tests.
Signed-off-by: Alexander Strasser <eclipse7@gmx.net>
Some of the FATE changes are due to off-by-one different rounding being used
(lrintf vs av_rescale_q).
Some fate changes are due to 1 audio frame less being encoded (the new variant seems
matching what qatar does and according to ffprobe its closer to the requested duration)
the mapchan feature sadly is lost in this commit because it depends on resampling
being done in ffmpeg.c which is now moved completely into the av filter layer
-async is broken after this commit, this will be fixed in subsequent commits
the new filter reconfiguration system is flawed and will drop a frame on each
parameter change which is why the nelly moser checksums need updating.
Conflicts:
ffmpeg.c
tests/ref/fate/smjpeg
Avoids resampling and channel mixing. This only tests the behavior
with respect to input and output audio rather than also testing changes
to the encoder or muxer that do not affect the resulting decoded output.
Avoids resampling and channel mixing. This only tests the behavior
with respect to input and output audio rather than also testing changes
to the encoder or muxer that do not affect the resulting decoded output.
If either input or output layout is known and the channel counts match,
use the known layout for both. Otherwise choose the default layout based on
av_get_default_channel_layout().
Changed some FATE references due to some WAVE files now having a non-zero
channel mask.
Since we cannot specify decode parameters (and also because
it is better in principle) the 1-channel reference file
needs to be enabled, too.
Signed-off-by: Reimar Döffinger <Reimar.Doeffinger@gmx.de>
The PSNR values are of varying usefulness, though at least
the DTS and AAC ones are useful with the right shift value.
Note: due to usage of floats some of these may fail on other
architectures.
In that case they should be converted into a CMD = stddev
FATE test, but it seems useful to try this way first.
Signed-off-by: Reimar Döffinger <Reimar.Doeffinger@gmx.de>
We need to set ms_stereo in encode_init() in order to avoid incorrectly
encoding the first frame as non-m/s while flagging it as m/s. Fixes an
uncomfortable pop in the left channel at the start of playback.
CC:libav-stable@libav.org
This fixes clipping if the encoder input used the full 16 bit
input range (samples with a magnitude below 16383 worked fine).
The filtered subband samples should be 15 bit maximum, while
the code earlier produced them scaled to 16 bit.
This makes the decoder output have double the magnitude
compared to before.
The spec reference samples doesn't test the QMF at all, which
was why this part slipped past initially.
Signed-off-by: Martin Storsjö <martin@martin.st>
This reduces the delay when opening the video with quicktime.
Idea-by: Maksym Veremeyenko <verem@m1stereo.tv>
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
Use Sound Sample Description Version 2 for all MOV files.
Updated FATE references accordingly.
Note that ADPCM is treated as compressed audio in version 2.
Sasi Inguva
Michael Niedermayer
James Almer
Paul B Mahol
Martin Storsjö
Timothy Gu
Daniel Verkamp
John Stebbins
Alexander Strasser
Piotr Bandurski
Janne Grunau
Mans Rullgard
Anton Khirnov
Justin Ruggles
Reimar Döffinger
Alex Converse