While the FATE suite contains a sample file for Musepack 8, it did not
use it to test the decoder; it is only used in the mpc8-demux test that
tests the demuxer via streamcopy. Therefore this commit adds an actual
encoder test.
The test uses the framecrc output, because Musepack SV8 is an encoder
that returns multiple frames for a single packet, so that timing
information in the test output is valueable. Output seeking has been
used in order to limit the size of the ref file as well as to test this
codepath for the first time.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@gmail.com>
We now have the possibility of getting AVFrames here, and we should
not touch the muxer's codecpar after writing the header.
Results of FATE tests change as the MXF and Matroska muxers actually
write down the field/frame coding type of a stream in their
respective headers. Before this change, these values in codecpar
would only be set after the muxer was initialized. Now, the
information is also available for encoder and muxer initialization.
Additionally, reap the first rewards by being able to set the
color related encoding values based on the passed AVFrame.
The only tests that seem to have changed their results with this
change seem to be the MXF tests. There, the muxer writes the
limited/full range flag to the output container if the encoder
is not set to "unspecified".
This disallows the usage of ? and # in libavformat specific scheme options
(e.g. subfile,,start,32815239,end,0,,:video.ts) but this change was considered
acceptable.
Signed-off-by: ruiquan.crq <caihaoning83@gmail.com>
Signed-off-by: Marton Balint <cus@passwd.hu>
These conversion appears to be exhibiting the same rounding error as the rgbf32 formats where.
I seperated the rounding value from the 16 and 128 offsets, I think it makes it a little more clear.
Signed-off-by: Michael Niedermayer <michael@niedermayer.cc>
changes since v1:
- made into fate test
- fixed c90 warnings
- tests more intermediate formats
- tested on BE mips too
Signed-off-by: Michael Niedermayer <michael@niedermayer.cc>
If the average bit rate cannot be calculated, such as in the case
of streamed fragmented mp4, utilize various available parameters
in priority order.
Tests are updated where the esds or btrt or ISML manifest boxes'
output changes.
This is utilized by various media ingests to figure out the bit
rate of the content you are pushing towards it, so write it for
video, audio and subtitle tracks in case at least one nonzero value
is available. It is only mentioned for timed metadata sample
descriptions in QTFF, so limit it only to ISOBMFF (MODE_MP4) mode.
Updates the FATE tests which have their results changed due to the
20 extra bytes being written per track.
SMPTE 12M timecode can only count frames up to 39, because the tens-of-frames
value is stored in 2 bit. In order to resolve this 50/60 fps SMPTE timecode is
using the field bit (which is the same bit as the phase correction bit) to
signal the least significant bit of a 50/60 fps timecode. See SMPTE ST
12-1:2014 section 12.1.
Therefore we slightly change the format of the return value of
av_timecode_get_smpte_from_framenum and AV_FRAME_DATA_S12M_TIMECODE and start
using the previously unused Phase Correction bit as Field bit. (As the SMPTE
standard suggests)
We add 50/60 fps support to av_timecode_get_smpte_from_framenum by calling the
recently added av_timecode_get_smpte function in it which already handles this
properly.
This change affects the decklink indev and the DV and MXF muxers. MXF has no
fate test for 50/60fps content, DV does, therefore the changes.
MediaInfo (a recent version) confirms that half-frame timecode must be inserted
to DV. MXFInspect confirms valid timecode insertion to the System Item of MXF
files. For MXF, also see EBU R122.
Note that for DV the field flag is not used because in the HDV specs (SMPTE
370M) it is still defined as biphase mark polarity correction flag. So it
should not matter that the DV muxer overrides the field bit.
Signed-off-by: Marton Balint <cus@passwd.hu>
This AV1 decoder is currently only used for hardware accelerated decoding.
It can be extended into a native decoder in the future, so set its name to
"av1" and temporarily give it the lowest priority in the codec list.
Signed-off-by: Fei Wang <fei.w.wang@intel.com>
Signed-off-by: James Almer <jamrial@gmail.com>
Allow to set the EOF timestamp.
Also: doc/filters/testsrc*: specify the rounding of the duration option.
The changes in the ref files are right.
For filter-fps-down, the graph is testsrc2=r=7:d=3.5,fps=3.
3.5=24.5/7, so the EOF of testsrc2 will have PTS 25/7.
25/7=(10+5/7)/3, so the EOF PTS for fps should be 11/7,
and the output should contain a frame at PTS 10.
For filter-fps-up, the graph is testsrc2=r=3:d=2,fps=7,
for filter-fps-up-round-down and filter-fps-up-round-up
it is the same with explicit rounding options.
But there is no rounding: testsrc2 produces exactly 6 frames
and 2 seconds, fps converts it into exactly 14 frames.
The tests should probably be adjusted to restore them to
a useful coverage.
The implementation of the tag tree did not
set the correct reset value for the encoder.
This lead to inefficent tag tree being encoded.
This patch fixes the implementation of the
ff_tag_tree_zero() function.
Signed-off-by: Michael Niedermayer <michael@niedermayer.cc>
This patch allows setting a compression ratio and to
set multiple layers. The user has to input a compression
ratio for each layer.
The per layer compression ration can be set as follows:
-layer_rates "r1,r2,...rn"
for to create 'n' layers.
Signed-off-by: Michael Niedermayer <michael@niedermayer.cc>
The dvbsubtest_filter.ts sample is a filtered version of the Videolan
sample database (samples/sub/dvbsub/dvbsubtest.ts) using Project X. It
originates from ticket #8844.
The write_colr flag has been marked as experimental for over 5 years.
It should be safe to enable its behavior by default as follows:
- Write the colr atom by default for mp4/mov if any of the following:
- The primaries/trc/matrix are all specified, OR
- There is an ICC profile, OR
- The user specified +write_colr
- Keep the write_colr flag for situations where the user wants to
write the colr atom even if the color info is unspecified (e.g.,
http://ffmpeg.org/pipermail/ffmpeg-devel/2020-March/259334.html)
This fixes https://trac.ffmpeg.org/ticket/7961
Signed-off-by: Michael Bradshaw <mjbshaw@google.com>
The new code is analog to how it's done in our mpegaudio parser.
Acked-by: Jun Zhao <barryjzhao@tencent.com>
Signed-off-by: Alexander Strasser <eclipse7@gmx.net>
Also add and update some tests.
Change the semantic a little, because for filesytem paths
symlinks complicate things.
See the comments in the code for detail.
Fix trac tickets #8813 and 8814.
Reads color_primaries, color_trc and color_space from mxf
headers. ULs are from https://registry.smpte-ra.org/ site.
Signed-off-by: Harry Mallon <harry.mallon@codex.online>
add probeaudiostream for get audio stream's codec_name,codec_time_base,
sample_fmt,channels and channel_layout.
Signed-off-by: Steven Liu <lq@chinaffmpeg.org>
Important part of this algorithm is the double threshold step: pixels
above "high" threshold being kept, pixels below "low" threshold dropped,
pixels in between (weak edges) are kept if they are neighboring "high"
pixels.
The weak edge check uses a neighboring context and should not be applied
on the plane's border. The condition was incorrect and has been fixed in
the commit.
Signed-off-by: Andriy Gelman <andriy.gelman@gmail.com>
Reviewed-by: Andriy Gelman <andriy.gelman@gmail.com>
floating point precision will cause rgb*max generate different value on
x86_32 and x86_64. have pass fate test on x86_32 and x86_64 by using
lrintf to get the nearest integral value for rgb * max before av_clip.
Reviewed-by: Paul B Mahol <onemda@gmail.com>
Signed-off-by: Limin Wang <lance.lmwang@gmail.com>
Now we just use one ADTS raw frame to calculate the bit rate, it's
lead to a larger error when get the duration from bit rate, the
improvement cumulate Nth ADTS frames to get the average bit rate.
e,g used the command get the duration like:
ffprobe -show_entries format=duration -i fate-suite/aac/foo.aac
before this improvement dump the duration=2.173935
after this improvement dump the duration=1.979267
in fact, the real duration can be get by command like:
ffmpeg -i fate-suite/aac/foo.aac -f null /dev/null with time=00:00:01.97
Also update the fate-adtstoasc_ticket3715.
Signed-off-by: Jun Zhao <barryjzhao@tencent.com>
This is a requirement of the AV1-ISOBMFF spec. Section 2.1.
General Requirements & Brands states:
* It SHALL have the av01 brand among the compatible brands array of the FileTypeBox
Signed-off-by: Derek Buitenhuis <derek.buitenhuis@gmail.com>
This causes regressions in end to end timestamps with mp3s and ffmpeg.
The revert is to avoid this regression in the 4.3 release
See: [FFmpeg-devel] [PATCH] Don't adjust start time for MP3 files; packets are not adjusted.
This reverts commit 460132c998.
7546ac2fee made it so that the start_time for mp3 files is
adjusted for skip_samples. However, this appears incorrect because
subsequent packet timestamps are not adjusted and skip_samples are
applied by deleting data from a packet without changing the timestamp.
E.g., we are told the start_time is ~25ms and we get a packet with a
timestamp of 0 that has had the skip_samples discarded from it. As such
rendering engines may incorrectly discard everything prior to the
25ms thinking that is where playback should officially start. Since the
samples were deleted without adjusting timestamps though, the true
start_time is still 0.
Other formats like MP4 with edit lists will adjust both the start
time and the timestamps of subsequent packets to avoid this issue.
Signed-off-by: Dale Curtis <dalecurtis@chromium.org>
Signed-off-by: Anton Khirnov <anton@khirnov.net>
Andreas Rheinhardt
Jan Ekström
ruiquan.crq
Zane van Iperen
Michael Niedermayer
Tomas Härdin
Mark Reid
Harry Mallon
Marton Balint
Fei Wang
Nicolas George
Paul B Mahol
Gautam Ramakrishnan
Clément Bœsch
Michael Bradshaw
Limin Wang
Alexander Strasser
James Almer
Steven Liu
Valery Kot
Jun Zhao
Derek Buitenhuis
Dale Curtis