Old one was written with the assumption only even inputs would be given.
This very messy replacement supports even and odd inputs, and supports
AVX2 for extra speed. The buffers given are usually quite big (4k samples),
so the speedup is worth it.
The new SSE version is still faster than the old inline asm version by 33%.
Also checkasm is provided to make sure this monstrosity works.
This fixes some FATE tests.
The aim of this test is to show the interleavement
of the file generated in the first pass; so make the
interleavement queue in the framecrc muxer in the second
pass as small as possible so that the framecrc muxer does not
fix wrong interleavement of the input file behind our backs.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
enc_dec is designed for raw input and output and computes
the PSNR between these two. The input of the shortest-sub
test is the idx file of a vobsub sub+idx combination
and the output is the output of framecrc of said vobsub
subtitle muxed into Matroska together with a synthesized
video. Calculating the PSNR between these two files makes
no sense, therefore switch to a transcode test, where
the ref file file contains the output of framecrc directly,
making the interleavement better visible in the ref file
at the cost of a larger ref file (>400 lines).
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
Also covers writing mastering display metadata.
Reviewed-by: Tomas Härdin <tjoppen@acc.umu.se>
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
Do this by setting AVCodecInternal.pad_samples.
This prevents reading into the frame's padding and writing
into the packet's padding.
This actually happened in our FATE tests (where the number of samples
is 2 mod 4), which therefore needed to be updated.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
APTX decodes four bytes of input to four stereo samples; APTX HD
does the same with six bytes of input. So it can be easily supported
in av_get_audio_frame_duration().
This fixes invalid durations and (derived) timestamps of demuxed
APTX HD packets and therefore fixed the timestamp in the aptx-hd
FATE test.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
We have de- and encoders for APTX and APTX HD, yet not FATE tests.
This commit therefore adds a transcoding test to utilize them.
Furthermore, during creating these tests it turned out that
the duration is set incorrectly for APTX HD. This will be fixed
in a future commit.
(Thanks to Andriy Gelman for finding an issue in an earlier version
that used a 192kHz input sample which does not work reliably accross
platforms.)
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
Since introducing the various packed formats used by VAAPI (and p012),
we've noticed that there's actually a gap in how
av_find_best_pix_fmt_of_2 works. It doesn't actually assign any value
to having the same bit depth as the source format, when comparing
against formats with a higher bit depth. This usually doesn't matter,
because av_get_padded_bits_per_pixel() will account for it.
However, as many of these formats use padding internally, we find that
av_get_padded_bits_per_pixel() actually returns the same value for the
10 bit, 12 bit, 16 bit flavours, etc. In these tied situations, we end
up just picking the first of the two provided formats, even if the
second one should be preferred because it matches the actual bit depth.
This bug already existed if you tried to compare yuv420p10 against p016
and p010, for example, but it simply hadn't come up before so we never
noticed.
But now, we actually got a situation in the VAAPI VP9 decoder where it
offers both p010 and p012 because Profile 3 could be either depth and
ends up picking p012 for 10 bit content due to the ordering of the
testing.
In addition, in the process of testing the fix, I realised we have the
same gap when it comes to chroma subsampling - we do not favour a
format that has exactly the same subsampling vs one with less
subsampling when all else is equal.
To fix this, I'm introducing a small score penalty if the bit depth or
subsampling doesn't exactly match the source format. This will break
the tie in favour of the format with the exact match, but not offset
any of the other scoring penalties we already have.
I have added a set of tests around these formats which will fail
without this fix.
These tests test both the demuxer as well as the muxer
wherever possible. It is not always possible due to the fact
that the muxer supports more codecs than the demuxer.
The spdif demuxer does currently not set the need_parsing flag.
If one were to set this to AVSTREAM_PARSE_FULL, the test results
would change as follows:
- For spdif-aac-remux, the packets are currently padded to 16bits,
i.e. if the actual packet size is odd, there is a padding byte.
The parser splits this byte away into a one byte packet of its own.
Insanely, these one byte packets get the same duration as normal
packets, i.e. timing is ruined.
- The DCA-remux tests get proper duration/timestamps.
- In the spdif-mp2-remux test the demuxer marks the stream as
being MP2; the parser sets it to MP3 and this triggers
the "Codec change in IEC 61937" codepath; this test therefore
returns only two packets with the parser.
- For spdif-mp3-remux some bytes end up in different packets:
Some input packets of this file have an odd length (417B instead
of 418B like all the other packets) and are padded to 418B.
Without a parser, all returned packets from the spdif-demuxer
are 418B. With a parser, the packets that were originally 417B
are 417B again, but the padding byte has not been discarded,
but added to the next packet which is now 419B.
This fixes "Multiple frames in a packet" warning and avoids
an "Invalid data found when processing input" error when decoding.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
This duration is equal to the longest duration in all track's tkhd atoms, which
may be comprised of the sum of all edit lists in each track. Empty edit lists
in tracks represent start_time, and the actual media duration is stored in the
mdhd atom.
This change lets the generic demux code derive the longest track duration taken
from mdhd atoms, so the correct duration and start_time combination will be
reported.
Should fix ticket #9775.
Reviewed-by: zhilizhao(赵志立) <quinkblack@foxmail.com>
Signed-off-by: James Almer <jamrial@gmail.com>
The field is not specific to Opus.
The mp2fixed encoder signals initial_padding and is used
by both the matroska-encoding-delay test as well as
the lavf-mkv tests which necessitated several FATE ref changes.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
Matroska generally requires timestamps to be nonnegative, but
there is an exception: Data that corresponds to encoder delay
and is not supposed to be output anyway can have a negative
timestamp. This is achieved by using the CodecDelay header
field: The demuxer has to subtract this value from the raw
(nonnegative) timestamps of the corresponding track.
Therefore the muxer has to add this value first to write
this raw timestamp.
Support for writing CodecDelay has been added in FFmpeg commit
d92b1b1bab and in Libav commit
a1aa37dd0b. The former simply
wrote the header field and did not apply any timestamp offsets,
leading to desynchronisation (if one uses multiple tracks).
The latter applied it at two places, but not at the one where
it actually matters, namely in mkv_write_block(), leading to
the same desynchronisation as with the former commit. It furthermore
used the wrong stream timebase to convert the delay to the
stream's timebase, as the conversion used the timebase from
before avpriv_set_pts_info().
When the latter was merged in 82e4f39883,
it was only done in a deactivated state that still did not
offset the timestamps when muxing due to "assertion failures
and av sync errors". a1aa37dd0b
made it definitely more likely to run into assertion failures
(namely if the relative block timestamp doesn't fit into an int16_t).
Yet all of the above issues have been fixed (in commits
962d631573,
5d3953a5dc and
4ebeab15b0. This commit therefore
enables applying CodecDelay, fixing ticket #7182.
There is just one slight regression from this: If one has input
with encoder delay where the first timestamp is negative, but
the pts of the part of the data that is actually intended to be
output is nonnegative, then the timestamps will currently by default
be shifted to make them nonnegative before they reach the muxer;
the muxer will then ensure that the shifted timestamps are retained.
Before this commit, the muxer did not ensure this; instead the
timestamps that the demuxer will output were shifted and
if the first timestamp of the actually intended output was zero
before shifting, then this unintentional shift just cancels
the shift performed before the packet reached the muxer.
(But notice that this only applies if all the tracks use the same
CodecDelay, or the relative sync between tracks will be impaired.)
This happens in the matroska-opus-remux and matroska-ogg-opus-remux
FATE tests. Future commits will forward the information that
the Matroska muxer has a limited capability to handle negative
timestamps so that the shifting in libavformat can take advantage
of it.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
It is possible for the trailing padding to be zero, namely
e.g. if the AV_PKT_DATA_SKIP_SAMPLES side data is used
for leading padding. Matroska supports this (use a negative
DiscardPadding), but players do not; at least Firefox refuses
to play such a file. So for now only write DiscardPadding
if it is trailing padding and nonzero.
The fate-matroska-ogg-opus-remux was affected by this.
(I wish CodecDelay would not exist and DiscardPadding would
be used to instead trim the codec delay away (with the Block
timestamp corresponding to the time at which the actually
output audio is output).)
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
The function contains only two assignments, setting DVVideoContext.avctx
and AVCodecContext.chroma_sample_location. However, the decoder does not
use the former, and the encoder should not be setting the latter.
Therefore move the first assignment to dvenc and the second to dvdec.
Make the encoder warn if the user-signalled chroma sample location does
not match the supported one, and return an error on higher compliance
levels.
These are the formats we want/need to use when dealing with the Intel
VAAPI decoder for 12bit 4:2:0, 12bit 4:2:2, 10bit 4:4:4 and 12bit 4:4:4
respectively.
As with the already supported Y210 and YUVX (XVUY) formats, they are
based on formats Microsoft picked as their preferred 4:2:2 and 4:4:4
video formats, and Intel ran with it.
P12 and Y212 are simply an extension of 10 bit formats to say 12 bits
will be used, with 4 unused bits instead of 6.
XV30, and XV36, as exotic as they sound, are variants of Y410 and Y412
where the alpha channel is left formally undefined. We prefer these
over the alpha versions because the hardware cannot actually do
anything with the alpha channel and respecting it is just overhead.
Y412/XV46 is a normal looking packed 4 channel format where each
channel is 16bits wide but only the 12msb are used (like P012).
Y410/XV30 packs three 10bit channels in 32bits with 2bits of alpha,
like A/X2RGB10 style formats. This annoying layout forced me to define
the BE version as a bitstream format. It seems like our pixdesc
infrastructure can handle the LE version being byte-defined, but not
when it's reversed. If there's a better way to handle this, please
let me know. Our existing X2 formats all have the 2 bits at the MSB
end, but this format places them at the LSB end and that seems to be
the root of the problem.
As we already have support for VUYA, I figured I should do the small
amount of work to support VUYX as well. That means a little refactoring
to share code.
This is the alphaless version of VUYA that I introduced recently. After
further discussion and noting that the Intel vaapi driver explicitly
lists XYUV as a support format for encoding and decoding 8bit 444
content, we decided to switch our usage and avoid the overhead of
having a declared alpha channel around.
Note that I am not removing VUYA, as this turned out to have another
use, which was to replace the need for v408enc/dec when dealing with
the format.
The vaapi switching will happen in the next change
IEEE-754 differentiates two different kind of NaNs.
Quiet and Signaling ones. They are differentiated by the MSB of the
mantissa.
For whatever reason, actual hardware conversion of half to single always
sets the signaling bit to 1 if the mantissa is != 0, and to 0 if it's 0.
So our code has to follow suite or fate-testing hardware float16 will be
impossible.
This avoids triggering overflows in the filters, and avoids stray
test failures in the approximate functions on x86; due to rounding
differences, one implementation might overflow while another one
doesn't.
Signed-off-by: Martin Storsjö <martin@martin.st>
It is done later in ff_mpv_frame_start() (and nobody uses
current_picture_ptr between setting it in ff_mpv_frame_start()).
(The reason the vsynth*-h263-obmc ref files change is because
the call to ff_find_unused_picture() now happens after the older
pictures have been unreferenced in ff_mpv_frame_start(),
so that their slots in the picture array can be immediately
reused; the obmc code is somehow buggy and changes its output
depending on the earlier contents of the motion_val buffer.)
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
Previously, the checkasm test always passed h=8, so no other cases
were tested.
Out of the me_cmp functions, in practice, some functions are hardcoded
to always assume a 8x8 block (ignoring the h parameter), while others
do use the parameter. For those with hardcoded height, both the
reference C function and the assembly implementations ignore the
parameter similarly.
The documentation for the functions indicate that heights between
w/2 and 2*w, within the range of 4 to 16, should be supported. This
patch just tests random heights in that range, without knowing what
width the current function actually uses.
Signed-off-by: Martin Storsjö <martin@martin.st>
Lynne
James Almer
Andreas Rheinhardt
Pierre-Anthony Lemieux
Philip Langdale
Anton Khirnov
Timo Rothenpieler
Martin Storsjö
Alan Kelly