This avoids assuming that e.g. audio samples are marked as
sync samples.
This allows omitting the sample flags from trun, if the default
flags happen to be right for all the samples.
Signed-off-by: Martin Storsjö <martin@martin.st>
a876585215 had the unintended side effect of returning AVERROR(ENOMEM)
when track->entry is zero, while the code intentionally wants to
continue in that case.
Signed-off-by: Martin Storsjö <martin@martin.st>
As this is depricated it should not be on by default, it is only
supported for MOV containers, depends on avpriv_get_gamma_from_trc()
Enable by:
-movflags +write_gama
This will use the color_trc to supply a gamma value, if desired an
explicit value may be supplied using the -mov_gamma option supplying
a suitable floating point value, values <=1e-6 will not be written.
Signed-off-by: Kevin Wheatley <kevin.j.wheatley@gmail.com>
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
Using the copy codec ACLR atoms where incorrectly written
During the creation of the ACLR atom we are assuming the vos_data
contains the DNxHD header. This change makes this explicit and
ensures we don't over write the stream with the extra_data.
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
Outputting DNxHD into .mov containers 'corrupts' following atoms until end of stsd
ffmpeg and qtdump could not decode pasp/colr atoms in the files made by ffmpeg,
when outputting DNxHD due to the incorrect padding placement. Now we add the
padding in the correct place
Tidy up FATE changes due to padding changes.
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
Avid prefers mpeg range [16-235] by default this change brings
ffmpeg into line with that. To obtain the old behaviour use
'-color_range jpeg' on the command line prior to the ouput
filename.
Signed-off-by: Kevin Wheatley <kevin.j.wheatley@gmail.com>
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
Use the more generic approach with the delay_moov flag, instead of
having a update mechanism specific to this one single atom.
Signed-off-by: Martin Storsjö <martin@martin.st>
This delays writing the moov until the first fragment is written,
or can be flushed by the caller explicitly when wanted. If the first
sample in all streams is available at this point, we can write
a proper editlist at this point, allowing streams to start at
something else than dts=0. For AC3 and DNXHD, a packet is
needed in order to write the moov header properly.
This isn't added to the normal behaviour for empty_moov, since
the behaviour that ftyp+moov is written during avformat_write_header
would be changed. Callers that split the output stream into header+segments
(either by flushing manually, with the custom_frag flag set, or by
just differentiating between data written during avformat_write_header
and the rest) will need to be adjusted to take this option into use.
For handling streams that start at something else than dts=0, an
alternative would be to use different kinds of heuristics for
guessing the start dts (using AVCodecContext delay or has_b_frames
together with the frame rate), but this is not reliable and doesn't
necessarily work well with stream copy, and wouldn't work for getting
the right initialization data for AC3 or DNXHD either.
Signed-off-by: Martin Storsjö <martin@martin.st>
If fragments == 0 it means we haven't written any moov atom yet.
If the empty_moov flag is set, we already have written an empty moov
atom at startup. Thus, the check for empty_moov is redundant.
This is in preparation for allowing writing the moov atom later,
even when using the empty moov flag.
Signed-off-by: Martin Storsjö <martin@martin.st>
The pts and the corresponding duration is written in sidx
atoms, thus make sure these match up correctly.
Signed-off-by: Martin Storsjö <martin@martin.st>
This allows setting the right fragment number if doing
random-access writing of fragments, and also allows reading the
current sequence number.
Signed-off-by: Martin Storsjö <martin@martin.st>
This allows creating a later mp4 fragment without sequentially
writing the earlier ones before (when called from a segmenter).
Normally when writing a fragmented mp4 file sequentially, the
first timestamps of a fragment are adjusted to match the
end of the previous fragment, to make sure the timestamp is the
same, even if it is calculated as the sum of previous fragment
durations. (And for the first packet in a file, the offset of
the first packet is written using an edit list.)
When writing an individual mp4 fragment discontinuously like this
(with potentially writing the earlier fragments separately later),
there's a risk of getting a gap in the timeline if the duration
field of the last packet in the previous fragment doesn't match up
with the start time of the next fragment.
Using this requires setting -avoid_negative_ts make_non_negative
(or -avoid_negative_ts 0).
Signed-off-by: Martin Storsjö <martin@martin.st>
This is mapped to the faststart flag (which in this case
perhaps should be called "shift and write index at the
start of the file"), which for fragmented files will
write a sidx index at the start.
When segmenting DASH into files, there's usually one sidx
at the start of each segment (although it's not clear to me
whether that actually is necessary). When storing all of it
in one file, the MPD doesn't necessarily need to describe
the individual segments, but the offsets of the fragments can be
fetched from one large sidx atom at the start of the file. This
allows creating files for the DASH ISO BMFF on-demand profile.
Signed-off-by: Martin Storsjö <martin@martin.st>
Previously only tfra entries were added for the first track in each moof.
The frag_info array used for tfra can also be used for writing
other kinds of fragment indexes, where it's more important to
include all tracks.
When the separate_moof option is enabled (as in ismv), we write
a separate moof for each track, so this doesn't make any difference
in that case.
Signed-off-by: Martin Storsjö <martin@martin.st>
A flag "dash" is added, which enables the necessary flags for
creating DASH compatible fragments.
When this is enabled, one sidx atom is written for each track
before every moof atom.
Signed-off-by: Martin Storsjö <martin@martin.st>
By calling this after writing the moof the first time (for
calculating the moof size), we can avoid intermediate storage
of tfrf_offset in MOVTrack.
Signed-off-by: Martin Storsjö <martin@martin.st>
When writing fragmented streams with an empty initial moov,
we won't have any samples in any tracks when writing the
moov atom, thus trust that any tracks that are added actually
will be present.
Signed-off-by: Martin Storsjö <martin@martin.st>
This avoids a potential crash if writing a fragmented psp mp4
(which probably is only a hypothetical scenario).
Signed-off-by: Martin Storsjö <martin@martin.st>
Previously we wrote decoding timestamps here, while the specs
say it should be presentation timestamps.
Signed-off-by: Martin Storsjö <martin@martin.st>
When using the new first_trun flag instead of checking the track id,
we don't need to have a special case for the separate_moof flag
any longer.
This simplifies the complicated codepath ever so slightly.
Signed-off-by: Martin Storsjö <martin@martin.st>
In this case, shift tracks to start from zero instead (potentially
stretching the first sample in tracks that start later than the
first one).
Some software does not support edit lists at all, the adobe flash
player seems to be one of these. This results in AV sync errors when
edit lists are used to adjust AV sync.
Some players, such as QuickTime, don't respect the duration for
audio packets, so if an audio track starts later than the video
track and the first audio sample gets a duration longer than the
actual amount of data in it, the result will be out of sync.
Based on patches by Michael Niedermayer.
Signed-off-by: Martin Storsjö <martin@martin.st>
Martin Storsjö
Kevin Wheatley
Michael Niedermayer
Derek Buitenhuis
Hugo Beauzée-Luyssen
Carl Eugen Hoyos
Paul B Mahol
Rens Dijkshoorn
Anton Khirnov